Author Archives: Gus

The New World Winery Continuum

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Filed under A Matter Of Style

The act of drinking a glass of wine is nearly always, in some small way, coupled with the act of envisioning the source of that wine, which is usually some variation on the theme of rolling vineyards adjacent to an historic stone (old world) or wooden (new world) winery. This image exists in part because it can actually be true, and partly because the hard-working souls who put the wine in the bottle want you to believe it is true, but it is very often pure illusion.

This is in no way a bad thing. The fact is that the very definition of a winery falls on a rather broad continuum, from ancient bricks and mortar to the genuinely virtual. What really matters is what is in the glass.

In the old world, or Europe for simplicity, if the wine is even moderately expensive one can rest fairly comfortably on the notion that, indeed, hand-tended vineyards adjoin the vine-covered cellars. Complexity sets in, however, when a château releases a second label, or produces a domaine-appellation wine alongside its estate product. Throw in the grower cooperatives and, of course, the négociants, and it becomes considerably more difficult to answer the question, “which winery made this wine?” The savvy consumer of old world wine, therefore, is guided more by name, reputation, and appellation of origin than by an image of a grand château.

The new world has managed to re-imagine the winery even more thoroughly. By casting out the vision of bricks, mortar and estate vineyards as essential, the new world wine industry has re-defined a winery to be, quite simply, a vision.

Examples of this wine vision fall at many points along the new world winery continuum. One of the most commonly understood is the winery which does its own winemaking but purchases all of its grapes. Or, a winery may be simply a vineyard, growing and harvesting grapes which are then brought to a contracted wine production facility, where the wine is “custom crushed” and eventually bottled under the vineyard’s own label. Custom crush can also be a way for a winemaker to fulfill a vision, by overseeing his own production at a facility hosting more than one, and often several, wine “visionaries”. In some cases the visionary may be neither winemaker nor grape grower, but someone passionate enough to make an investment in wine production and willing to both purchase grapes and contract the winemaking for the project.

Of course, vision aside, every wine must have begun in a vineyard and finished up in a wine cellar. Yet the multitude of means to the end creates a range of opportunities for the would-be wine producer, and consequently allows for the availability of a broad range of wine styles to the consumer. When a winery no longer has to overcome the significant economic barriers to establishing the traditional vineyard and production facility, the industry is no longer the exclusive domain of wealthy individuals or large corporations. The resulting infusion of small to medium scale wineries, some entirely working with purchased grapes and shared facilities, results in many wines which share the same essential attributes of their more traditionally-produced brethren: a distinctly regional stamp of style and an individual stamp of character.

Consumers and wineries alike should absolutely embrace this continuum, as much as it may undermine the romantic definition of a winery, as a natural adaptation of the wine industry to the challenge of bringing interesting, enjoyable wines spanning a broad range of styles to the public. A winery, defined, is really no more than a way to bring an experience to one’s glass. The business model it applies to reach that goal is of little consequence to the wine itself.

Organic Viticulture in the Rogue Valley

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Filed under From The Bike, In The Vineyard

I just got back from my first visit in several years to Upper Five Vineyard in Talent. Terry and Molly Sullivan have been farming this five-acre parcel of vines since 2003, and they’ve been doing it organically from day one. I’ve always thought the site showed promise, but when you combine a great site with the kind of attentive care these two bestow on their vineyard great things can result.

They have planted Tempranillo, Syrah, Viognier, Grenache and Sauvignon blanc in classic Rogue Valley fashion, spanning the globe and a taster’s palate with their varietal choices. To round things out they have embarked on small scale organic pear production, as well as raising organic melons for the local market.

The ground springs underfoot as you step down a vineyard row, indicating healthy, un-compacted soil. Our conversation drifted back and forth from the technical (clones, rootstocks, mechanical weed cultivation, compost, pruning) to the philosophical. Terry likes to say that his strongest argument for farming organically is “because people live here.”

Of course I had to ride my bike out for the visit, to challenge my “intimate knowledge of the land” hypothesis. Unfortunately, this meant riding through a thick cloud of putrid lime-sulfur spray as I passed one of the orchards about a half-mile down the road, so it was a relief to breathe the clean higher-elevation air at Upper Five. My conveyance also created an unexpected limitation when Terry gave me a bottle of Grochau Cellars 2008 Sauvignon blanc, made from Upper Five grapes.

Anyone who has bike toured in wine country knows that a tall, narrow claret-style bottle slips easily into one’s water bottle cage with little more than a mild rattle as one rolls along, yet this bottle resisted the standard approach. My first attempt at securing my gift proved ineffective, as I was only just out of the dirt driveway when the bottle leapt out and clattered down the road. The results were nearly disastrous:

I figured out a better, albeit precarious, way to hold the damaged bottle, and made my way home against a headwind. It has always been my contention that wine tastes better when enjoyed close to its source, and this particular bottle enjoys the distinction of literally touching the ground from which it came. I will give it a week to recover from its rough treatment before sampling, and will report back on how the wine fared.

2009 Vintage Honest Appraisal

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Filed under Uncategorized

I’m back from the cellar and can honestly say I’m a bit confused and disappointed. The 2009 reds were simply not tasting all that exciting today. Still, wines do go through these dull periods, especially post SO2 addition (check) and when eager for a racking (check). After agonizing for a bit I simply decided not to decide.

I’ll go back in a week or two and we’ll see if they are friendlier. I may also draw off some samples and let them rest/breathe for a day before subjecting them to more critical evaluation.

Or maybe it’s just me. Or the weather.

On a positive note, the Viognier/Marsanne is tasting fabulously of peaches and cream, and the 2008 Velocity is a joy.

Blending 2009 Velocity and Velo

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Filed under In The Cellar

It’s time to head back into the cellar. In these winter months it is easy to be distracted by the unfortunate necessities of business planning, marketing, and other dreary desk-work, but the wines are calling.
Barrel tasting at this stage actually becomes (yes, it’s true) hard work. Over the next few days I’ll be individually sampling each barrel from the 2009 vintage in preparation for one of the most crucial steps in the élevage (upbringing, or raising, of wines, as children more or less) of the new wines: blending.
I like to blend early, to encourage integrated flavors and stable wine, so the blending decision is a bit like deciding what you’re going to be when you grow up, except that you don’t get to change your mind later. So, I go through the barrel stacks and look for wines that show structure, intensity, purity of fruit and age-worthiness; those barrels are put into consideration for the Velocity bottling.
If the wine tastes friendlier, yummier, perhaps a bit softer and more vigorously youthful, it is a clear candidate for bottling under the Velo label. Then comes the fun part – assembling the components. Just because, say, seventeen barrels show Velocity-level promise, that doesn’t mean that those should simply be tossed together and called a wine. Now I get to play with the proportions in an attempt to blend a wine which will display the kind of balance, elegance, and focus I strive for. Perhaps a bit more block B, or less block A; maybe a dash of Cabernet franc will spice up the Malbec, but which barrel is best suited for the job?
So, off I go armed with my palate, my instincts and a sturdy glass, to start clambering around the barrel stacks.

Velocity Cellars Supports Rogue Valley Farm To School Fundraising Dinner

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Filed under Open Bottle

Julia and I were fortunate enough to find ourselves invited last Sunday night to the second annual Rogue Valley Farm To School fundraising dinner at New Sammy’s Cowboy Bistro in Talent. It may have helped that I donated one of the wines for the dinner, but it seemed like we got the best end of the bargain by being seated at the bar and getting to enjoy an astounding meal. The food alone would require pages to describe, starting with an extraordinary array of tapas, moving to an elaborate paella, a cheese course and chocolate-cinnamon olive-oil cake with homemade almond ice cream for dessert. Perhaps best of all was the fact that every dime of the proceeds went to an extremely worthy cause, the above mentioned RVFarm2School, which provides locally-grown food to school cafeterias. Even the very gracious servers donated their tips.
Thank you, Tracy Harding, for including my wine, and thanks to all the staff and volunteers at New Sammy’s that night for your hard work. We had a ball!

Viognier Barrel Tasting

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Filed under A Matter Of Style, In The Cellar

Yes, the cat is out of the bag, so to speak. I am making a white wine. The reasons are many, but the strongest one may be simply that my middle name is, in fact, White.

Since coming to the Rogue Valley I’ve made Chardonnay, Pinot gris, Pinot blanc, Viognier, Roussanne, Marsanne and even a little Grenache blanc, but always for wineries and labels other than my own. Settling on a style for my own white, I started with Viognier, which I feel has demonstrated a real affinity for the dry, sunny growing conditions here, and supplemented it with a bit over 20% Marsanne, which is a relative newcomer to the region.

Winter sample of Viognier/Marsanne

The Viognier is from Gold Vineyard in Talent, where Randy Gold has been reliably growing the Malbec and Cabernet franc for Velocity since 2002. Having nibbled some grapes the previous fall, and having tasted some of Trium Winery’s Viognier bottlings from the site, I felt confident that the moderate elevation and easterly aspect, combined with Randy’s skillful farming, could yield the kind of fruit I was looking for. The 2009 vintage did not disappoint me; we were able to bring the fruit in at a civilized 23.0 Brix, with plenty of tropical and stone fruit flavors, sufficient natural acidity, and the kind of balance I am looking for when trying to produce a moderate-alcohol wine.

We harvested the Marsanne on the same day from Crater View Vineyard over by Jacksonville, and went ahead and pressed the fruit from both vineyards together into one tank. I just closed my eyes and trusted that the blend would work. As I had hoped, the Marsanne brings some additional roundness to the wine, and a pleasant melon character. I had expected the Marsanne would also provide some additional acidity, since my experience with the grape from the previous vintage was that it held onto a nice low pH well into maturity, but for this year it wasn’t to be, and I had to be satisfied with the natural acidity of the Viognier.

Barrels for my White Wine
My goal with the wine is to bottle it unfiltered, and to give it plenty of lees contact for mouthfeel, complexity, and stability. So right now it is moving slowly through malolactic fermentation in barrel, has yet to be given any SO2 (even at crush I avoided SO2) and is, as the picture suggests, in 100% two and three-year old French oak barrels. I bought the barrels from Far Niente winery in Napa, where they were used to make a three-year barrel aged late harvest Sauvignon blanc called Dolce, which explains the filigreed decoration on the barrel heads. I am just happy to have some clean, fairly neutral barrels to age my new project in.

Now come the two toughest questions. What should I call it, and how much should I make next year?

2009 Vintage Malbec, Cabernet Franc and Rosé

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Filed under In The Cellar

With the 2009 reds appearing to be finished with malolactic, it was time this morning for a visit to the cellar to taste the new wines. First, I had to freshen up my palate with a quick taste of the 2009 rosé, which has been moved to a small stainless tank for aging on the fine lees. The rosé is currently resisting malolactic fermentation, so will be warmed up a bit and reinoculated with a few liters of its red counterpart in barrel.Rose Tank Sample 1.7.10

The 2009 reds are currently in three lots. MB1 is all Malbec, the first to be harvested, tank fermented, and now tasting like it will serve as the foundation for a 2009 Velocity. Then there are seven barrels of Cabernet franc, whose herbal character can be surprising at this stage. I admit to having had a love/hate relationship with Cabernet franc until I had the opportunity to enjoy a few Loire Valley bottlings of the grape, at which point I determined to embrace its herbal nature as varietally typical and very food-friendly.

Thief 1.7.10

There are also about fifteen barrels of MB2, the second lot of Malbec which boasts plenty of currant, cherry and dried herb aromas on a somewhat softer, leaner body than MB1, leading me to believe that it is likely to find a home bottled as Velo.

For such a copious vintage there is very good concentration and substantial structure, especially in MB1. These will all be fun wines to work with.

New Bicycle

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Filed under From The Bike, In The Vineyard

I got a new bike for Christmas!

What does this have to do with winemaking? It happens to be my personal philosophy that winemakers should make wines only from vineyards they can readily visit by bicycle. This is my “intimate knowledge of the land” principle and is by no means practiced by myself alone, except maybe for the bicycling part. Walking is fine, too, but in the Rogue Valley our vineyards don’t neighbor one another as closely as in some more established regions, so I use a bike whenever possible. Besides, it’s fun.

This bike has a history. The deep wine-colored frame was originally custom built for Sherman Lamb in the early 1980s by Roland Della Santa, who was also busy at the time building frames for Greg Lemond, who was busy becoming the first American to win the Tour de France. Sherman, who was one of the first winegrowers in the Rogue Valley to plant Syrah, sold the bike to his friend Randy Gold a couple of years ago, but it was the wrong size for Randy so he stepped up to a brand new Felt road bike late last summer. Out of curiosity or desire I measured the frame when Randy said he was going to sell it, and voila! A frame custom sized for me.

Randy, of course, is the owner and manager of Gold Vineyard in Talent, from which all grapes for Velocity and Velo wines (and even my new white wine project – more later) are now sourced. How many bicycles can claim such a viticultural pedigree?

My wife, Julia, was kind enough to listen to my irrational explanations for having two bicycles, and presented the new bike on Christmas with a red bow around the handlebars. Thank you, Roland, Sherman, Randy, and Julia. I will try to be a worthy owner of such a machine.

I did get out for a quick ride when some sun broke through after Christmas. It rides like a thoroughbred, or as I imagine one must ride. Lucky me!Bike

Malbec Clones

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Filed under In The Vineyard

In winemaking circles one frequently hears talk about newly introduced clones of familiar varietals, and how vineyards are either being replanted or grafted over to the new and improved scion. The list of recent favorites ranges from Dijon clones of Chardonnay and secret-agent sounding Pinot noir clones 777 or 115 to Tempranillo’s notorious and dizzying array of clones each masquerading under a multitude of synonyms. Advances in the wine industry are always exciting (to some of us) and seem to be forever offering new opportunities for improving whatever’s in the barrel or tank. While there is no question that the choice of clone has an effect on eventual wine style, it is important, as always, to stay focused on the long view, and to work hard at uncovering the best attributes of the fruit at hand before being seduced by promises from the newcomer.

What is this attack of the clones? For starters, these are not clones in the true sense of the word. Even though grapevines are propagated through cuttings, occasional natural mutations can result in slight deviations from the prescribed genetic code, which, if the variation is pronounced enough, can lead one grapevine to exhibit different characteristics than its neighbor. If the variation is considerable, one can even have such leaps as Pinot noir to Pinot blanc, defining a whole new cultivar within the species vitis vinifera. For those variations that are more subtle, one can see variants within a varietal which might exhibit, for example, earlier ripening, higher yields, smaller berries, or even a definable change in flavor profile. Over the years, attentive vineyard managers have spotted these differences and, by selecting cuttings for new vines from these particular plants they have discovered, in some instances, many dozens of different clones of the same varietal. To the winegrower, it seems as though there are more every day.

In Southern Oregon, Malbec has recently begun to achieve some success, but the question stands as to what role the clone has played to this point. Malbec is a varietal generally associated with the southwest of France, where it is a minor blending component in some of Bordeaux’s great vineyards. Not far from Bordeaux it emerges as the dominant varietal in the “black wines of Cahors”. It has also gained esteem with South American bottlings predominantly from Argentina, where the Mendoza region is renowned for coaxing world-class quality from this previously lesser-known grape. Pre-2000 plantings of Malbec in Southern Oregon, what few there were, used the most available clone 04, which is notorious for poor set and variable yields.

One vineyard in the Rogue Valley tried to conquer these tendencies by cordon pruning to even out set and yield. The vines complied, for one year, then rebelled with a subsequent meager vintage of highly variable clusters. A switch to cane pruning, such as is most often practiced with Pinot noir, yielded good results – but only for a while. Another vineyard suffered through several years running while the vines seemed to want to do nothing but produce vegetative growth with virtually no fruit. An aggressive shift to quadrilateral cane pruning for up to 50 buds per vine brought the vines into balance and eventually yielded substantial improvement in wine quality. A third long-time grower simply tore out the Malbec entirely. It is no wonder that, as interest in the potential quality of Malbec increased, spurred by the experience of those occasional splendid vintages, the promise of a new clone free of such difficulties was received well.

FPS Clone 09, the purported saving grace for growers of Malbec, has had a successful start, showing none of the exasperating characteristics of its predecessor. Reliable yields, now sometimes excessive enough to require substantial crop thinning to maintain wine quality, are the norm, and cluster set is even. Initial wine quality has been very good, albeit from predominantly young vines. The judgment, it would seem, is in.

It is, however, essential to realize that there are more powerful determinants of a wine’s character than clone. The varietal itself, combined with the site on which it is grown and the vagaries of the vintage, account for the preponderance of a wine’s style. Most winemakers would certainly downplay even their own influence in the face of these elements. Here the value of perseverance cannot be underestimated. It would be an easy mistake to rush to judgment on a varietal and clone such as Malbec 04 based on a number of situations in which it has performed poorly. Yet at least one of the Rogue Valley viticulturalists noted above has managed to coax his clone 04 into producing some of the finest grapes in his vineyard, giving an adjacent block of the newer clone 09 Malbec some real competition.

Certainly some clones of Malbec – and there are several more than just the two discussed here – will prove to outperform others in the ultimate category of wine quality, for some vineyards and for certain wine styles. There is also little doubt that rootstock plays a critical role in the performance of any vine, and that no real examination of Malbec clonal characteristics is complete without an understanding of rootstock effect. The real lesson here is to stay focused on the things that historically yield wines of superior quality. As much as clones do have an impact on wine character, the vigneron would be wise to avoid placing too much faith in a particular clone, and to remain attentive to those vineyard practices through which the best nature of the given clone may be expressed.

Rosé evolution

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Filed under A Matter Of Style, In The Cellar

The 2009  Malbec rosé, in tank at this moment, is presenting an interesting opportunity to further refine a winemaking style. Having tried a style with virtually no skin contact and moderate lees aging (2006) , then a no-SO2 juice style with little lees contact (2007), followed by an SO2 at crush plus two to three days skin contact before saigneé and again a limited lees contact style (2008), I may finally be settling down. Still, I won’t promise to stop experimenting, especially when each year brings new variables.

For 2009 I went so far as to craft a plan, which was quickly modified as the grapes began coming in. The relatively low sugar content of some of the grapes combined with big berry sizes prompted me to increase the percentage of juice drained from the fermenter, up to about 30% in one case. The saigneé was done after as little as one hour up to one day of skin contact. By selecting only the lowest-sugar lots (around 21-22 Brix) I am hoping to finish with a wine near 12% alcohol, which is civilized for a rosé.

Fermentation was deliberately warm, in the 60s Fahrenheit, to try to capture more red-fruit character. The next step was to retain the fine lees (the expired yeast cells left over from primary fermentation) by racking the cloudy wine along with the fluffy top layer off the settlings in the tank. Now the plan was simply to age the wine for two or three months in contact with the fine lees, to build some creamy character into the mid-palate.

Tasting the wine at this point with John Quinones (the new winemaker at Roxyann Winery, which is where I make my wines) he suggested we try to promote malolactic fermentation. Since the 2009 has plenty of natural acidity, and since the flavors were presenting an herbal edge, I readily agreed. Inoculation was simple; we took a couple of buckets of newly drained, dry, free run Malbec from a tank slated for Velo production and pitched them into the top of the rosé tank, bringing a little extra color as well as a healthy malolactic culture along with it.

I’ll keep tinkering with this wine, but I think we are on a very positive track for this 2009 version.